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CURRENT ISSUE
Cover
Cover
Tir y Blaenau by David Jones (1895–1974), 1924–5.
Watercolour, ink and crayon, 57 x 39.5 cm.
National Library of Wales.
This months featured article is a review of Frédéric Ogée’s Sir Thomas Lawrence: Le Génie du portrait anglais
by Andrew Wilton on p 108
CONTENTS
EDITORIAL
2 | William MB Berger Prize 2023 Long List
RESEARCH
3 | Susanna Avery-Quash
The extraordinary in the ordinary
Stanley Spencer (1891–1959) as a religious painter
15 | Hilary Davies
Sacramental landscapes
Coventry sixty years on
21 | Patricia R Andrew
A place in the country
The so-called ‘Raphael’s Villa’ in Rome
27 | Tim Marshall
Edward Rooker (1724–1774) and Michael Angelo Rooker (1747–1801)
Family connections
37 | Martin Hopkinson
The London paintings of Victor Mottez (1809–1897)
49 | David Platzer
Harold Acton Part V
Harold at Oxford: back to Mahogany
61 | Richard Dagorne
Henry de Triqueti (1803–1874)
A forgotten candidate for the Memorial to the Great Exhibition
67 | Philip Ward-Jackson
Some unknown projects and recent revelations
The Memorial to the Great Exhibition and the critical fortunes of Henry de Triqueti (1803–1874)
70 | FG Notehelfer
Some further observations on John Constable’s ‘Garter Painting’
73 | Brendan Cassidy
Gavin Hamilton (1723–1798)
His beginnings as an artist informed by an unpublished
collection of letters
87 | Kenneth McConkey
‘Life’s most real satisfactions’
The Ireland of William Henry Bartlett (1856–1932)
96 | Melissa L Gustin
‘What Are Men to Rocks and Mountains?’
Mythology and geology in Chaos by GF Watts (1817–1904)
BOOK REVIEWS
105 | Martin Hopkinson
François Marandet
Louis Chéron (Paris, 1655–London, 1725). L’ambition du dessin parfait
EXHIBITION REVIEWS
115 | Kenneth McConkey
‘Essence of Nature – Pre-Raphaelites to British Impressionists’
Lost progressive artist of the mid-19th century